Cinderella is Dead
Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert.
It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again.
Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all--and in the process, they learn that there's more to Cinderella's story than they ever knew . . .
This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them.
"Kalynn Bayron does more than re-write a fairy-tale . . . She breaks it apart and rebuilds it into a wholly original and captivating story where girls finally decide for themselves who lives happily ever after." --Brigid Kemmerer, New York Times bestselling author of A CURSE SO DARK AND LONELY
"Flipping the Cinderella tale on its head, Bayron's take challenges patriarchy with kick-butt heroines and a counter-story that will forever change how readers perceive fairy tales." -- Booklist (starred review)
"Readers looking for dystopia, queer romance, LGBTQ inclusiveness, and women sticking it to the patriarchy will be pleased." -- School Library Journal online
"A queer dystopian fantasy that questions written history and societal expectations." -- Shelf Awareness Pro
"Bayron's deconstructive reimagining of the classic fairy tale is ambitious, replacing the happily-ever-after with a tragic legacy and a defiant, feminist tone." -- Publishers Weekly online
"[A] promising debut . . . twists and turns will keep readers in suspense." -- Kirkus Reviews
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